Arts

Arts and culture

It's been about 10 years since Irish singer-songwriter Fionn Regan made his U.S. debut with The End Of History, a Mercury Prize-nominated collection of soft-spoken acoustic folk-pop songs in the tradition of Damien Rice and Nick Drake.

Hungry? Call Your Neighborhood Delivery Robot

Mar 23, 2017

Here's a classic big city dilemma (sorry suburban folks): It's late at night, the weather is bad, and you're hungry. Your favorite restaurant is less than a mile away, but you don't want to leave the house, and you don't want to pay a $5 delivery fee — plus tip — for a $10 meal.

So, what do you do?

Back in the old days, you would have braved the elements — or learned to plan ahead. But those days are coming to an end, at least in Washington, D.C.

Is any story more appealing than the paradise disrupted? Read enough campus novels, and you'll think colleges are little idylls rife with tennis sweaters and conspiracy. Green quadrangles, caps and gowns, dim libraries, "a group of red-cheeked girls playing soccer, ponytails flying ... trees creaking with apples ... ivied brick, white spire ..." That's Donna Tartt's The Secret History, the New England campus novel par excellence, fat with exclusion and glamour and wealth and Plato and erudite murder.

Two years ago, René Pérez Joglar took a chance.

For over a decade, the 39-year-old had been the voice of Calle 13, a Puerto Rican hip-hop crew that had grown to massive visibility. The two core members — producer Eduardo Cabra, known as Visitante, and Joglar, who rapped as Residente — had earned the group three Grammys and two dozen Latin Grammys, and were considered one of the biggest Latin acts in the world. And then, Joglar decided he was done.

You can only hear something for the first time once.

I don't mean to sound so obvious, but my first listen to ÌFÉ's debut album, IIII+IIII (pronounced Eji-Ogbe), was such an incredibly special moment that I wish I could repeat it over and over.

First Listen: Rodney Crowell, 'Close Ties'

Mar 23, 2017

Americana has had a banner few years, to put it mildly, and the roots of its current incarnation can be traced back to Rodney Crowell. The Texas-born songwriter has collaborated with everyone from Emmylou Harris to Waylon Jennings, all while maintaining a solo career that's netted him two Grammys and an induction into the Nashville Songwriters Hall of Fame.

As a musician, Aimee Mann has long indulged her bleaker side, dating all the way back to her mid-'80s debut as the lead singer of 'Til Tuesday. In the quarter-century since she launched her solo career, Mann has released nine solo albums — not counting her classic film work in 1999's Magnolia — and formed a duo called The Both with Ted Leo.

The great Beethoven specialist András Schiff says, "Whatever we do on the piano is a collection of illusions." If that's true, then Volker Bertelmann, the German pianist who goes by the single name Hauschka, is a master illusionist.

Bob Dylan is evidently not finished with his (grand, now exhaustive) inquiry into the Great American Songbook.

The 2016 winner of the Nobel Prize for Literature, who was hailed by the Swedish Academy for "having created new poetic expressions within the great American song tradition," is releasing a three-disc mega-dose from the pre-rock era of that tradition on March 31.

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